LATOYA EKEMODE: I Married Orlando Julius Despite 17-Year Age Gap

Four years after the death of Afrobeat pioneer Orlando Julius Ekemode, discussions about his musical legacy, global influence, and cultural impact continue to resonate across generations. According to Ireporter Online, his wife, dancer and longtime creative partner, Latoya Ekemode, has reflected on life since his passing, the emotional moments leading up to his final days, and ongoing debates surrounding the origins of Afrobeat, while also insisting that Nigeria has yet to fully experience the depth of his musical contributions.

Latoya revealed that life has continued despite the emotional weight of loss, noting that she has remained committed to preserving their shared vision. She explained that working on their cultural centre has helped her stay focused, adding that memories of their time together continue to sustain her.

Recalling his final moments, she described Orlando Julius as having passed peacefully, saying he transitioned calmly in her presence without distress. She expressed gratitude for being with him at the time of his passing, describing the experience as serene and deeply spiritual.

Reflecting on their years together, Latoya said they shared a fulfilling creative journey, touring internationally, producing music, and realising long-held dreams. She added that their partnership spanned decades, beginning when she was introduced to him as a teenager and later working closely with him from her adulthood.

Addressing claims that Orlando Julius was under-recognised in Nigeria, she argued that his influence was more widely appreciated internationally, stating that Nigerians often celebrate popular figures without fully acknowledging pioneers. She maintained that while he respected Nigerian musicians and culture, much of his global work remains under-documented locally.

On the subject of Afrobeat origins, Latoya dismissed the controversy over who created the genre, stating that multiple pioneers contributed to its development. She noted that while Fela Kuti helped popularise Afrobeat globally through its political messaging, Orlando Julius had been experimenting with the sound earlier, insisting that both legacies deserve recognition.

She also announced plans for tribute concerts in the United States and Europe aimed at honouring Orlando Julius and supporting a documentary project about his life and work. According to her, the initiative will feature collaborations with African musicians, fundraising efforts, and performances celebrating his extensive catalogue.

Latoya further described Orlando Julius as a “cultural architect,” highlighting his technical expertise, self-produced recordings, and hands-on approach to music production. She added that his commitment to originality and independence set him apart in the industry.

Speaking on her current creative pursuits, she noted that she remains active in music, performance, and cultural development projects, including managing the Ojahh Center in Ijebu-Jesa, which she described as a space for artistic training and development.

She concluded by advising younger Nigerian musicians to prioritise originality, humility, and musical skill over fame, stressing that longevity in the industry depends on authenticity and collaboration.